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there’s different
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layers to my work like it’s all related
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to each other and i think my overall
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theme in my work that has been pretty
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consistent is um
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very interested in the micro and macro
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world where you know
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you look into you look into a microscope
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and it’s very similar to
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like looking into a telescope i feel
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like my works is it’s never a specific
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thing you know it’s never like um
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within the piece you do see microscopic
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elements like things of cellular level
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or uh or like a planet somewhere
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some cosmic thing going on so i really
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like to
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incorporate both and really try to
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create this like fantastical imaginary
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world
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so i was collecting seaweed one time um
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many many years ago and i
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left on my windowsill and you know
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seeing the salt crystals from the ocean
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ground the seaweed just sparked
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something where
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it just i just ran with it so now i saw
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crystallize
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everything because i think salt is so
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important as far as preserving things
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but also breaks down things and things
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get encapsulated
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in salt crystals as far um i remember
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reading something it’s like
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million year old algae you know has been
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encapsulated in the salt crystal like
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things like that just fascinate me
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and i think that’s what has drawn me
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like my fascination with nature and my
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environment
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um these days i feel like nature has
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been such a comforting thing like it’s
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just
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you know going on walks or going on a
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hike it’s just
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it’s very meditative but very inspiring
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for my works and i’ve been thinking a
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lot about
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how nature is so important in our lives
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and how you know we should really
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protect it and care for it
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and also be kind to it like we should be
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kind to people
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the actual process of the sonotypes
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really fast but you know i’ve been
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making these
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um i know six seven feet eight
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feet by three feet sound types and
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i have to coat the paper and then to
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find space for that is
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really hard so i’m in like or you know
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i’ll do fabric
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as well and it’s like big you know big
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pieces
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so i feel like the the actual process of
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coding these materials
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is what takes the longest because you
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know actually when you’re
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exposing the actual piece it’s i don’t
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know
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10 20 minutes and then washing another
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10 minutes and drying but i guess if
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you’re working in large
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scale it’s like it’s it takes a lot
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longer because you’re handling the paper
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and it’s
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like okay how am i gonna take this paper
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out without exposing it to light
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and there’s times where i have coated
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paper outside not to set my alarm
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before the sun comes out and then like
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roll them up or put them away in the
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dark
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so there’s like challenges
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i was selected through the um an art
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gallery i was working
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with in los angeles and was contacted
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saying
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they were interested in my cyanotype
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works
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i really think it’s a great program to
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have and i feel honored to
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have have participated twice having my
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work in vietnam since
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you know that’s where my parents had
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immigrated it’s it’s a way to
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like connect with people there and
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and and i see the difference as far as
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like what my parents had told me
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what it’s like over there and because
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they’re still in that mindset of what it
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was like before they left
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and how it is now but um i love
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i think connecting with people from all
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over the world meeting other artists
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from all over the world i’ve done some
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residencies
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different places in the world and you
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know in the end i realized
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well we’re all like have the same goal
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of just trying to
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create something positive
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and sharing it with everyone and makes
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me realize like oh we all come from the
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same place no matter where we live
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or no matter how different we are
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ultimately
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we’re the same
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foreign
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you